In the 20th century, people in Latvia, as in most of Europe, experienced new beginnings, but also wars, the Holocaust and political upheavals that claimed lives, destroyed cultural heritage, family history and the foundations of existence. The memory of these events and the attitude to these recollections in Latvia and in Germany differ, but at the same time have a very significant meaning.

In both Latvia and Germany, memories are connected not only with the past, but also with the future. But which memories of the 20th century are shared and which are uniting society? What can be achieved through dialogue between representatives of different memory communities? Are there gaps and parallels between memories, closed spaces of memory? Are there any wrong or unacceptable memories and what to do if the memories of different people about Latvia and its history differ from each other?

What kind of memory is needed for the future? And what was the role of memory and oblivion in the process of rebuilding Germany after the war and the Holocaust, and after the end of the German Democratic Republic?

Professor Aleida Assman (University of Konstanz, Germany), the most influential theorist of cultural memory in Europe, politician and publicist Dainis Ivans and Doctor of Science Olga Protsevskaya, talk about these and other issues at the discussion organized by the Goethe Institute in Riga and the Latvian National Library.

Moderators: Dr. Gustav Stranga, Dr. Denis Khanov.

Video language: Latvian Duration: 1:53:04 minutes.

06.12 .: Interview with Professor Aleida Asmann in the program “Cultprosvet” on radio Baltcom.

How can different memories be combined into one nationwide narrative? How can a traumatized and divided society overcome the divided spaces of memory? How much past does the future need?

Aleida Asmann, the most important theorist in the field of memory culture in Europe, discussed these issues with Denis Khanov.

After the fall of the Berlin Wall, Germany again faced the problem of memory: How to combine the West German narrative of the National Socialist dictatorship and the Holocaust with the narrative of the GDR dictatorship into one national narrative? The basis for solving this problem is the realization that a national narrative can become more complex, that it can expand: at the same time, some memories do not exclude the presence of others.

This process of expansion continues to this day, as Germany has become an immigration society, and the stories of immigrants must also be included in the national narrative in order to reinforce the sense of belonging of these populations. According to Aleida Asmann, both in Germany and in Latvia, the second and third generation of immigrants are a chance to solve this problem. Young people who are integrated into society, who have dual identities and dual loyalties, can build bridges that are often not even possible at the political level.

To overcome disagreements, it is important to focus on similarities, on common interests. In order to have a future https://jiji-ethiopia.com/bole/medical-equipment/alchol-sprayer-ges6X0pBQnjFvASjJayv9Lfk.html to which you can go together, you need to try to overcome the past, which focuses solely on the history of violence.

Language: Russian, German Duration: 39:57 min.

04.11 .: Premiere of the play “Tanya’s Birthday”

Premiere of the play “Tanya’s Birthday” | Photo: Goethe-Institut Riga / Kaspars Garda Guests sit at a festive table covered with a white tablecloth and decorated with flowers. On the table are food and wine. Candles are burning. The guests have a lively conversation: about the first kiss, about the second world war, about deportations, about family secrets and naturalization. Family holiday?

No, this is the premiere of Tanya’s Birthday. At the same time, the audience is in the very center of what is happening, sometimes becoming witnesses to heated discussions.

The production is based on the memories, opinions and reflections of the inhabitants of Latvia about the troubled history of the country in the twentieth century. The Goethe Institute in Riga, the Gertrudes Street Theater and other partners, within the framework of the joint project “Your Memories for the Future of Latvia”, have collected more than 90 authentic fragments and memories – including texts, photographs, old films, video and audio materials. The creative team of the performance turned these sent fragments into a journey through the vastness of personal and collective memories.

However, the conversations in the play concern not only the past, but also the present and the future, as well as the society in which we live.

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